Showing posts with label Max Allan Collins. Show all posts
Showing posts with label Max Allan Collins. Show all posts

Sunday, May 20, 2012

Lady, Go Hammer on Comic-Con and Gaiman's commencement

Here's an update for page 77. It's a quick study in regret and forgiveness - it shouldn't be considered disingenuous, I simply wanted the pace to keep up - so it had to be quick and dirty.

Page 77
Dr. Casey Miller confronts Dr. Howard Bolam for everything that's happened to him so far in  You Son of a Bitch, Bolam! I hope you like it!
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Graphic novel news
Neil Gaiman shares his vision while receiving his honorary Ph.D. in fine arts at the University of the Arts', thanks to his career as a "cartographer" mapping the world just beneath our "waking life." In other news, PopMatters.com interviews author Rob Salkowitz on his upcoming new book, Comic-Con and the Business of Pop Culture, which sounds very interesting. Finally, classic graphic novel character Mike Hammer will be restored posthumously after his creator Mickey Spillane passed away in 2006.

Neil Gaiman’s singular vision 
Tirdad Derakhshani

Philly.com


Neil Gaiman


Neil Gaiman has spent a career mapping out the myths that make our world worth living in.
A cartographer of the fantastical, terrifying, chaotic, and sublime world beneath our waking life, he perfected the graphic novel into a work of high literary art with The Sandman (1989-96)... On Thursday, Gaiman, 51, delivered the commencement address at the University of the Arts’ graduation ceremony, where he also was awarded an honorary Ph.D. in fine arts.
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Writing to "Rain Dogs": Talking With Rob Salkowitz #2
 

shathley Q
PopMatters.com


From Frank Miller’s Hell & Back


While I’m talking to Rob Salkowitz about his June 10-released Comic-Con and the Business of Pop Culture my mind drifts exactly to Frank Miller at the peak of his creativity, and to Family Values. Rob attempts rarely before seen—a business book that’s relevant for readers and enthusiast of popculture, and a popcultural book that’s instructive to business analysts. He talks openly about how his passion as a comics fan engaged him to undertake this project. And how his profession as futurist and business analyst allowed him the tools to interpret and describe the very crossroads of flux the comics industry now finds itself in.
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Max Allan Collins on new Mike Hammer novel, “Lady, Go Die!” 
nerdblog
blog.newsok.com/nerdage


source: wikipedia

“Of the half-dozen substantial unfinished novel manuscripts in Mickey Spillane’s files, this was perhaps the most exciting find,” Collins said in an email interview with The Oklahoman. “It’s the second Mike Hammer novel, begun in 1945 shortly after he completed ‘I, The Jury.’ It’s unclear why he set it aside, but he may have been told by an editor that until ‘I, The Jury’ came out, there was no need to finish a sequel. And when it came out, ‘I, The Jury’ was not initially successful — in hardcover, it was a disappointment. But when the paperback came out, Mike Hammer was suddenly a sensation.”
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Tuesday, January 10, 2012

Perdition, Revelations and Escapin' Nazis

I'm just strippin' to put myself through college.

Here's Page 69. I should load up my guideline artwork that I draw Ian Escutcheon from - they're based on Gene Wilder, and if you look at my guidelines, they definitely look like Gene Wilder - but when I put it in the comic, something gets lost in translation.

It's probably better that Wilder is just the guideline, and Escutcheon takes on an appearance of his own, though. Can you see the Wilder in Escutcheon? It seems the scenes with Escutcheon have a lot of exposition in them, which is important - he's sort of the gatekeeper of information in this story. But he's willing to give information up - which is important. It also means that we get scenes with a whole lot of talkin' in them, too.

My wife thought it was funny that Escutcheon pulls a "ventriloquist act" by speaking while taking a sip of water. ... for the record, that wasn't my intention.

Dr. Howard Bolam finally catches up with Ian Escutcheon, but their meeting is cut short by an devastating interruption in Why, what happened in there?
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Graphic novel news
Read about a graphic novel that's inspired by a true story about escaping from Nazis, the Greatest Battle, a war in Heaven based on the book of Revelations, and Max Allan Collins's, the author of "Road to Perdition" latest work. Check it out!

Trina Robbins Discovers "Lily Renee"
Alex Dueben
ComicbookResources.com

... (Trina) Robbins' new book from Graphic Universe is "Lily Renee: Escape Artist." The true story of Lily Renee, a girl who grew up in Vienna, escaped to Britain after Nazi Germany annexed Austria on the kindertransport, worked at a hospital during the blitz and was later reunited with her parents in the United States. All before she turned 17. In her teens and twenties, Renee worked as a comic book artist, most notably for Golden Age publisher Fiction House. Being the early '40s, many of the comics this young woman illustrated involved fighting the Nazis she had escaped and on paper was able to tell the stories of strong women fighting the Nazi threat in their own way.
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Author uses graphic visuals to depict battle that changed creation forever
Chidi Emebo
PRNewsChannel.com



In the book of Revelation, the Bible references a great war in heaven. Chidi Emebo paints a picture of what he thinks this battle looked like in “The Greatest Battle: Love & Pride” (ISBN 1463773862). Emebo creates a fictional story based on biblical information, and uses unique visuals to help the reader’s imagination come to life.
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Collins Returns to "Perdition"
Alex Dueben
ComicbookResources.com

Max Allan Collins is a name familiar to most mystery and comics fans. In the world of comics, he worked on a number of Batman projects, co-created and wrote the long running independent comic "Ms. Tree" -- in addition to other projects like "Johnny Dynamite," "Wild Dog" and "Mickey Spillane's Mike Hammer" -- and enjoyed a long run on the "Dick Tracy" comic strip. His best known comics work is the graphic novel "Road to Perdition," which was turned into an award-winning film starring Tom Hanks and Paul Newman.
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