3 Takeaways from November

What was I thinking when I did some of this stuff? Well, almost as important is what do I think of it now, too.

Key takeaways
- multiple panels can aid comedic timing. Don't restrict yourself to only single-panel comics.
- give yourself the space for artistic expression. You need space to tell your story.
- hand lettering can give you the specific intonation in each word and letter, leading to a more specific reading of your text.

Here's the rough work before I went on to finalize them, and you can see it was still back when I was just folding a page into four squares and restricting the work to the size of a quarter page. I've moved on from this and think it's going to rememdy some of my observations on past "work."

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Holy Guacamole was an indecisive spinoff of the silly things Robin used to say to Adam West's Batman. No particular gag was especially poignant when I was writing it, but it was easy to come up with a few different punchlines to hopefully make it worth the visit to read them?

No, it wasn't very timely, but I thinkthe artwork matched the original title sequence on the television show. The framing worked out well, too. The concept of finding a moment when these expressions would be a fitting pun for Robin to use was the basis --perhaps there was something more creative to be done? Now I'm second-guessing myself.

I really liked this joke, but it didn't get the response I thought it might. I guess so long as I'm happy with it - - validation is nice, too, though.

Ahead of Schedule is kind of based on a conversation I had with another couple at a wedding a few weeks ago. They have two kids, one about the same age as our first, and we were just commenting on how "busy" our kids are before they're even two. We figured they reached the Terrible Twos early -- though I believe the consensus was:

"If you think THIS is bad now, just wait another eight months and you'll be WISHING he was only 21 months old again."

I feel like I should comment on each joke, but I don't really have much to say about Work Those Gluts. I think the punchline "Soon you'll be able to rip a phonebook in half with your ASS" has great potential to be delivered with great effect, but I'm not sure it was captured here.

This might have been achieved with a few more panels building up to the punchline? I'm interested in doing fewer single-panel jokes - - telling a joke requires timing, and a single panel is very limiting, even if they're much quicker to produce.

Finally, Nice of You to Join Us is another example of a joke I personally enjoyed a lot, but may not have translated to the masses with much effect.

First of all, I think it was a lot of fun to conceive how Beard-o might cope without his beloved ducks. Obviously it would lead to substance abuse - - and that's how this whole story arc developed. Drinking toilet duck and having a stupid hallucination was a fun idea, and being able to draw King St. from a completely different prespective (a bird's-eye view) was intriguing as well. Plus, it set up nicely into the payoff at the end of the arc.

I'm still struggling to get the lettering and the word-balloons to look the way I think they should. By using larger panels when I'm creating the gags (though this is before I started doing that) I've got more space to write the letters by hand, rather than relying on the word processer to do the work for me. I think hand-drawn letters is more the style I'm going for - though don't expect that to happen for a few more weeks, as other items in my production schedule are coming up.

Anyhow, thanks for reading. If you've got any questions about how things are going / coming along, drop me a line.

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Short Cuts and Execution

Sometimes I go through a stretch where you look back at what you've done, and you're not entirely proud of it ... and this pasta joke is one of them. Definitely an err in judgement.

While it's funny when it happens to someone else, it's hardly a well-written joke. And it wasn't especially well drawn, nor was it particularly well coloured, and no gag was written along with it to add any special value. So there's another lesson learned. Here's how it turned out.

Seems that lately there's been more "lessons learned" than things I'm proud of.... 

As for drinking toilet duck, this story arc just wrapped up on the main blog and I think it covered all the bases I wanted to cover. Towards the end of the arc, the artwork and framing really improved. At this point I was still simply drawing elements of a panel and them assembling them digitally - - whereas I think a cleaner panel is created when you do it all on the page. Adding extra elements might be "easier" digitally, but it looks like you took a shortcut. You can see how these elements came together in the final strip here.

Obviously, skipping any setting or background made this look rushed and incomplete. When I speak of "lessons learned," I guess what I'm hoping is that I won't repeat the same mistakes as in the past.

I've taken some steps to eliminate those "shortcuts," and I think it's paying off, but, of course, it means things are taking a bit more time, too.

Business Man @ Home is designed to be a whole lot simpler, though. One panel, one frame, one line of dialogue, minimal setting - - and I think it works as a motif, but ... I think people are losing their lust for the strip, though. In any case, I think the minimalist structure and the trope on "Crying Over Spilled Milk" worked well for this gag, and you can see how it turned out here.

Most of these strips were drawn back in October at some point, and I've since taken some corrections to give myself more space to build a panelled comic. I'm not just folding a sheet of paper into quarters and building a strip from there. I'm taking more time to use the space more effectively and add more detail to the images - - I think it's been working out, but we'll have to wait and see as those strips start appearing on the main site.

Something I've been looking to improve are the "brush strokes" in the comics. Frankly, none of these have the "swishing" strokes you find in clean, more professional-looking strips - - and I'm not sure I've got the correct hardware to create those lines. I MAY have to get nibs and actual ink and stuff, rather than the pigment liners I've been using.

If that happens, that'll be a whole different kettle of fish to unpack, set up, practice and keep out of the reach of my 2-year-old :S

Thanks for reading all the way to the bottom! I hardly even proof-read these posts all the way down here!

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Drinkin bathroom cleaner, Jedis and Panzers for the holidays

Subhead: 4 Potshots at Mayor Ford

Photoshop is pretty excellent, and the software engineers who created that system are absolute geniuses, and these below strips required a bit more work with photo manipulation that the average gag I post.

Beginning on the upper-left-hand corner of the page, we see Beard-o with a bottle of Toilet Duck, which I required to complete a separate gag, but didn't have room on my earlier page to include. So I added him here, and then withdrew him with the cut and paste feature and it wound up looking like this.

Ultimately, I've decided to give myself more space to do the artwork going forward, because I feel there's a lot of room for improvement - - which is obvious, because I basically started doing these strips by investing as little time in them as possible. But, now that I've got the hang of them, I'd like to have a bit more pride in them. (A very little bit more pride -- these are still as embarrassing as a Rob Ford secret).

As for Yoda, I think the final image of him turned out really nicely. I created each of the elements for this gag individually, then moved the layers around to balance them as best I could. This was basically a pun on "I sense in him much fear," and required someone to be as inebriated as Rob Ford to draw the ire of Yoda - - though I'd suspect Yoda wouldn't have been a proponent of even mild recreational drug use. I would imagine that would lead to the Dark Side, right?

So, you can see in the finished panel how much of Qui Gon Jinn and that other dude with the phallic forehead are now behind the keg and party favours. I also wanted to "clean this panel" up a bit more than in the past by including a more prominent border to help make it look a bit less amateur.

"A bit less amateur" could be my theme for November, ha ha. But seriously, that definitely wasn't the theme for October! Let me be sure to make THAT clear.

The final bit here is the "What if" gag that I think had a tremendous amount of potential, but failed in the execution. Obviously, if a joke's not ready, I should probably sit on it until I'm happy that it's going to be great. In this case, the question posited is a good one: What If We Celebrated Everything with as much Vigour as we do St. Patrick's Day? Well, given that not everyone celebrates St. Patty's Day like Rob Ford in a drunken stupor, it is a bit of a cliched element of Western Culture.

For whatever reason, Passover was stuck in my head, and to over-exaggerate the holiday as much as I could, all I could do was have the celebrators REALLY do what you'd normally do, which is eat REALLY bitter stuff, KVETCH even louder and make sure Elijah was clear on no uncertain terms that you had a seat at your table for him.  .... it just didn't wind up being very funny.

I think the Panzer tank to ensure you get a good deal on a flatscreen on Black Friday was probably not an exaggeration enough ...

Once again, I took the raw images and did what I could in "post production" to give it a clean and tidy panelling, which you can judge for yourself here. Despite not being really satisfied with the overall produciton, I think the colouring is coming along very nicely - - I've always been a sketcher, never really one to colour anything, so ... I'm glad that's developing.

If you've got any questions, I'm always happy to answer 'em, unless, like, their about smoking crack-cocaine ... I'm probably going to "Ford the Question," that is to say, I'll dodge and deny, as I'm sure you'll understand.

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It's all Fiction, but it Comes From Somewhere Real

Not so long, long ago in and not nearly as far as a galaxy far, far away:

Two summers ago my former place of employment rellocated to new office space and I no longer had to commute through King St. to get to work. It was a breakwater moment for the King St. Capers - -

It felt weird not seeing Mr. Minestrone every day, not seeing Beard-o, not seeing his Tim-Hortons-toting companion with the concert t-shirt and side-stepping all the cigarette butts laying all over the sidewalk. But, the new officespace was really great and most attractive were the big scenic windows at my workstation.

The sun pored through the glass warming everyone and everything. It was brilliant, in both the colloquial and literal sense of the word. And as much as the old characters I used to spot / detest every day on my way to work were in my past (though still only a few blocks away) I was unprepared for the new cast of characters that I'd be able to see, not only on my daily commute, but through the window while I was working. 

Crackhead is one of the guys.  

More after the break - - 

You can see I drew the crackhead-behind-the-tree element separate and then layered it in to the final product. I drew a second Crackhead to include in other iterations of the strip. Ultimately, I think the quality / fidelity of the final image suffered for it. It came out blurry and garbled. A lesson learned. Images need to be created much larger if they're going to be included in composite products.

Panels 3 & 4 feature in "Have to be on Crack" and "This Street Sucks," panel 2 is "Casual Fridays" (which was fun to make!) and Panel 1 is "Case of the Mondays".

- - continued

Crackhead is a bit of a conglomeration of many of the people down at street level in the busy dirt parking lot located across the street from a downtown Tim Hortons. There was a LOT of weird foot traffic. One guy looked like a cracked-up Bob Dylan, lots of folks with tatoos and baby buggies, and plenty more smokers just ... standing around doing whatever it is they enjoy doing while they smoke all the time.

However, with no need to return to King St., I sort of forgot what it was all about, lost the feel for actually walking down the road and just being pissed off at every step while people stepped out of the parking garage and flicked and tossed torched cigarettes to the pavement.

This past Crackhead story arc was a fun integration of how the two worlds might have interrupted one another had they ever converged. Don't get me wrong, there were a load of crackheads on King St., but they were more "down by the river" types than they were "out in front of the barber" types.

The guys in the parking lot between Tim Hortons and downtown - - those crackheads are the "out and about" types. They were on the go. In any case, it was fun bringing those elements together into the Capers, and especially as it all culminates in a big cameo appearance from another out-of-towner that Ontarians will definitely recognize.

And the Business Man @ Home bits are sort of a more modern extension of my work experience, too. While the drug-addled chaos from King St. remeained outside the office, inside the conversation and articles I was writing revolved continuously upon discussing improvements in the workplace, human resources, health and safety, and other business matters.

I suppose the creation of Business Man can be considered a result of the Culture Shock from spending your days in an environment where you're continuously researching and discussing those workplace issues, and then having all that crash into the unadulterated ego of a toddler, fulltime.

Ultimately, this is all a work of fiction, but it's derived from a very real place from no-so-long ago, and just around the corner.
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Business Man @ Home

Something I learned that derived from my expansion in the Twitterverse is something I'd noticed for a while, but never really took the time to investigate. Reddit.

I knew OF it, but didn't know what it meant to me, or any of these dumb strips -- but I did notice that on "publishing dates," people I follow on Twitter were very vocal about "Up voting" their work. It seemed like a certain coterie of them were heavily involved on the Reddit site, and I perked an ear to the idea.

Just this week I went to the site, set up an account, and searched around just a little. I posted about three items onto the www.reddit.com/r/webcomics page and before too long I had, believe this, like tripled my regular traffic.Which is definitely impressive - - plus, commenting and feedback seem to flow much more fluidly on Reddit than on a blog or website page.

So it's been an interesting journey to see how content reacts to being in a space where people specifically go to share and view and comment on webcomics.

Here are some of the rough "before" drafts of some of the recent Business Man @ Home strips:

On a related note, it's opened my eyes to the possibilities of sharing some of the more "Business related" strips I've had (specifically business man @ home) on the LinkedIN feed, as well. As far as the tracking is concerned, the first topic I posted received 20 views and the next about 11, so there's another bunch of eyeballs that weren't checking them out before, too.

Better Offer
The art of the sales pitch / negotiations. I wish I was in the "negotiating" phase with my toddler. He's not speaking or really listening yet, so you still have to just go with the flow and do whatever you can to satisfy is wants (which you'd do cheefully, except for when he "wants" to lift the cat up by her hair, or climb shelves or go for a 25-minute walk every hour, on the hour).

I'd imagine this'd be a wasted skill on a At-home dad, if they were a CBA pro.

Social Media Campaign
This is a nod to my old job where there was a recurring interest to get more involved in social media and creating campaigns with the content we were producing. Successful social media campaigns are often random, unexpected and fickle beings, and most of the time we were just eager to sharpen our skills to get another one going.

I just imagine that business man would miss the excitement of sharing new developments with followers, and would likely be eager to jump back into the online milieu. 

Profits
Hey, running a business is hard. You've got to scrape together everything you've got to turn a profit, and digging through couch cushions would be a great way to add a little coushioning to the balance sheet.

Climbing the Corporate Footstool
This was intended to be a "climbing the corporate ladder" gag, but ... I don't think it realized the concept's full potential. In any case, damned toddlers will climb ANYTHING!

As always, if you have any questions or comments on what's up with any of the Capers, Chickens, Business Men or Advice, drop me a line and I'll be happy to answer your questions.

Thanks for reading. 

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What's up with Salty Advice?

A question people are probably wondering about: What's with the Salty Advice that you think has been so funny that you keep posting?

[You can find Salty Advice here: Salty Advice]

Mr. Minestrone's first stab at good advice.

Well, the origins of this go back to all the encouragement I was receiving from a friend who enjoyed the King St. Capers so much he insisted that there was more content more often starring Mr. Minestrone.

While he was having a particularly bad "migraine" at work one day, I succumbed to his pleading and created this spinoff from the Capers. Salty Advice gives a voice to the otherwise mute Mr. Minestrone, providing some insight into this psyche and professional attitude.

What would someone who doesn't give two shits about doing a good job, and is hellbent on having a cigarette and staring at you while you walk down the street, despite his age and personal hygiene, have to offer? I had to try and figure it out.

And if this asshole had any advice for you, what would it be?

"Salty Advice" comes from the "Take it with a pinch of salt," etymology -- it's one of my favourite "sayings," so to speak, because, as far as I understand it, it's a complete admission that the next thing you're going to say is complete bullshit.

In the good ol' days, there was no refrigeration (of course) so meat had a very limited shelf life. It'd last for a couple of days (imagine a family with an entire slaughtered cow, but no deep freezer). As the end of the week rolled along, that heifer started getting pretty rank, making it completely unpalatable.

They were dirt poor, so instead of pitching the whole thing to the buzzards, they just kept adding salt to the meat to mask the rancid, rotting maggot-motel while they kept eating (and giving themselves the bubonic plague).

So the idea has always been hilarious to me, that someone saying "take this with a pinch of salt" is really saying that their advice is about as good as a medieval, rotting slab of pork. That's just funny!

And Salty Advice definitely lives up to its namesake. There's nothing worth repeating going on here.

Unlike my other comics, I don't worry about loading up on Salty Advice: they don't require a tremendous amount of time to get the artwork uploaded or completed, so I've allowed myself to come up with them on the fly, rather than stocking up on them (for the record, I have Capers, Business Man and Spring Chickens complete into the early weeks of October, just so you know).

I hope you're enjoying them.

Of course, if you have any questions, please drop me a line and I'll share whatever the hell I was thinking when I put this stuff together. If you're enjoying it, please, continue to do so.

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Don't Bother Painting That Beautiful Fresh Snowfall

In our cozy little town, once in a while, the local-artist community has a bit of a neighbourhood tour, where they'll put their art in their garages and have interested shoppers/art supporters visit (and of course they cross their fingers hoping somebody, ANYBODY, will buy something).

There are some terrific artists around here and there is plenty of inspiration to be found in town; beautiful wildlife, incredible sunrises, fluffy and colourful bushes, flowers, waterways and quaint streets/shops that are an artists' dream to capture on canvas.

So, when one of the neighbours down the street had a sign at the end of his driveway indicating he was on the tour, my wife and I strolled over and snooped through his garage to check his work out. There were some great paintings for sure, but my favourites are the winterscapes. They're serene and subtle, there's something peaceful about the undisturbed snow during a sunrise. Plus, depending on the medium, the texture of paint on canvas lends itself so nicely to the shape and texture of snow on an evergreen's branches.

I asked the painter/neighbour why he didn't do more winterscapes, because they were so beautiful - - and he responded quickly, as if he'd done one too many winterscapes already, by saying "Nobody buys them."

And there it was, the corruption of commercialism in the face of artistry. To think you'd be stymied from artistically expressing yourself because not enough people would agree with you to make it worth while? Now THAT'S an artist, am I right!?

That's obviously the inspiration behind Studio Lesson:
(I also liked the painting the painter is working on - - giving hate the middle finger :)

Safety Citation
I see my kid climbing all over everything, and of course health and safety are important facets of any good business. This is one of my favourtie Business Man comics so far!

Stilt Merchants
As for SIRI on Beard-o's SmartPhone, I like that there's a poor, minimalist v. consumerism debate going on between the two - - however subtle/nonexistent. I guess what I'm saying is I'd LIKE there to be more of a philosophical struggle between SIRI and Beard-o (as would be inspired by Bill Watterson's work with Calvin & Hobbes). We'll see what the future holds in store. Most importantly about this comic, is how much these characters despise each other, yet still stand across the street and face off every single day.

Opa!
I'd been sitting on this joke for ages, obviously the Greek debt crisis is OLD news, but the joke finally made the list of comics to write. So here it is!

In 1904 Parents Washed Out Your Mouth With What!?

I've always wondered why Dr. Seuss had to take such liberties with the "English" language to get his rhymes -- and it bothered me. He was just being silly, but I thought it was a little unfair that he could make words up to make his stories flow.

Now that I've read many of his stories over again with our little one I realize that what appeared so inane not long ago, is a terrific teaching aid for anyone who's learning to read. The similarities and differences between words really illustrates the phonics and graphics of a word -- which will be really handy when our first born starts to read on his own (and before that with our help, of course).

BUT all of that said, there's GOT to be some reason Seuss turned to this beyond the pure pedagogic intentions. My best guess is that children from 1904 were raised by parents who washed his mouth out with something a whole lot worse than soap. If Seuss had to enter into some Jewish version of Pig Latin to express himself, it must have been awful. Something that could only be conceived by the mind of a German beer-maker who lost his brewery due to prohibition.

When your father immigrates to New England to live out his dream to be a successful German brewer to only have the Yankees enter into prohibition, I'll BET you learn some interesting words around the house, too.

Without further ado, here are some other thoughts on some of the latest comics we've had up on Spring Chickens.

Way Down There
The stilts were an idea I came up with to introduce a new character to King St. - - someone who was a bother to me LONG before I met Mr. Minestrone or Beardo. He just lived over on Parkhill so I never really made the connection between him and King St.

I thought, what could be the wackiest setup I could think of, which I could have interrupted by this new character? Beardo on stilts seemed like a good fit. However, I liked the idea so much, that I thought of a couple ways it could pay off - - so you can expect some more stilts in the future on King St.

Gogh for It
A friend on Facebook made a status update "I could cut my ear off" and my immediate response was "Gogh for it!" but .... I didn't write it. He seemed in genuine anguish and I didn't feel like leaving graphic evidence that I'm a big jerk. I mean, I AM a big jerk, but leaving proof for everyone to see isn't my style.

But believe me, when I read your Facebook status, my immediate and default response is pure "Jerk."

(And yes, I did fashion the anguished guy off of Ernie from Sesame Street ... )

Employee Ownership
My biggest concern about employee ownership is the divestment of ownership after you no longer want to have it - - I mean, who buys this stuff from you?

And what happens when you own part of a business, like a German start-up brewery, and then the States institute prohibition again - - how do you get your money out of it THEN? You lose your job and all your investments, too -- yikes.

I'm not against Employee Ownership, I just wonder how you'd ever leave or retire. Or what to do with all that unsold home-brew left over. Would you use it to wash your kid's mouth out when he swears around the house, obviously leading to a whole new insane world of Zizzer Zazzer Zuzzs, Gecks and Wumps?

Kate Middleton, Office Space and Complete Disasters

I make a lot of illogical connections in my head - - and I've made some exceptionally loose connections between my characters and things like Hurricane Katrina, the Duchess of Cambridge, Ron Livingstone in Office Space and my cat Indiana Jones, to make a few more jokes .

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FEMA Response, Feline Contempt, Cover Letters and Ship Christenings

Some more behind-the-scenes stuff on a few comics - - the latest of which is FEMA Response in the King St. Capers. I'm far ahead with the Capers, and I usually have the art complete more than a month before it's published, whereas the other comics are usually only a few weeks ahead of time.

What happens when I'm ahead like this, I feel like a comic is "old news" by the time it goes live, whereas it's still sitting scheduled and ready to go. It's kind of weird.

FEMA Response is the comic I was alluding to in an earlier post when I'd jotted down the idea while working on an earlier comic.

As for Feline Contempt, the idea originated from my own cat, of course. Indiana Jones always seems to upset that she's not being fed enough, when of course, she has plenty kibble, but would prefer her wet food. She can be bothersome (I don't like having a wet nose rubbed all over me. It's like I'm being painted with a highlighter).

Anyhow, she just had this impression like she was so full of contempt, but of course was helpless to serve her own wet food. This joke was just a snapshot into a grouchy cat's mind. And, no doubt, I'm sure you'd recognize the cat's design to resemble "Grouchy Cat," too.

The Business Man @ Home joke was a bit of a takeoff on Office Space and the classic dialogue surrounding the new coverletters we're putting on each of the TPS reports now. Didn't you get that memo?

I can't imagine any office-themed joke goes very far before it flutters upon the "memo gag." And of course, this is the second post in this series, and here we are. For the record, I didn't draw the child's art - - I cut and paste it from a Google search.

The final product didn't mention the "memo" or "TPS Reports" or anything like that, but the joke is firmly rooted in an homage to Office Space.

The last joke on here was "Ship Christening," which is sort of a personal favourite. My wife and I were watching the news and the Duchess of Cambridge was christening the Nebuchanezzer in June. I laughed at what a waste it was to bother shattering a bottle of champagne, and the first thing to come out of my mouth was basically this joke as you see it.

I thought it was funny, anyhow. In my "research" to get this comic done, I took pointers from this image.

Those poor champagne-less kids in Africa, right?

Anyhow, there's a little insight into the goings-on of where some of these jokes come from. No doubt, joking around with my wife is a great source of inspiration - - and she's come up with a classic idea or two in her time, which I'll credit gratefully when the time comes to publishing them.

Thanks for reading, and if there are absolutely any questions about any of these series, ask away, and I'll answer them as best as I can. 

The Mystery of Mr. Minestrone | Behind the King St. Capers

Here's a different example of how things work sometimes:

Epic Fail, To Do List, Hat Vendor and Abbey Road

Recently I've changed my pattern a little bit.Before, I'd dedicate a week to writing only Capers, or only comics or only Tomb of the Undead, but instead, now I'm drawing up a mixture of strips at a time, including Business Man @ Home, too. It brings more variety to my week.

But this example came before that switch, and after building a deep catalog of King St. Caper strips, I realized a change was a good idea. So a Caper, a regular webcomic, plus a Business Man @ Home, and whatever else is floating my boat at the time is generally what I"m working on at any given time.

This page, however, is probably the last time I wrote four Capers in one week, and likely will be the last. 

I've produced a "schedule" which shows which strips I'm well prepared for, and which I'm lagging behind in, indicating where I should focus attention the next week.

In any case, the first comic here is "Epic Fail," which had a big response on Twitter when it was published.

I suppose the "Epic Fail" meme is still flooding the Internet, which is good to see. It's not what I had in mind when I wrote it, but I'm happy to take the extra pageviews (however modest the increase was). The pure truth is - - Mr. Minestrone wrote this comic. He actually gave me a pair of godawful haircuts where I felt exactly like this. Now it's a stupid comic. Thanks Mr. Minestrone!

"To Do List" was next. While not hilarious (to me anyhow), the joke does get into Mr. Minestrone's professional philosophy. I mean, who's THAT terrible at haircuts? What could be his motive? WHY is he still doing this as a career?

Perhaps it's an opportunity to pursue his vices? I mean, if a meth-head had a job where he could be as high as shit and work at the same time, you think he'd be looking for a new job?

I also think this teases the idea that Mr. Minestrone knows full-well what he's doing: giving awful haircuts. There's something mischievous about him - - like he's MEANING to do it.

Truth be told, he's still a mystery, even to me. I'll bet he has some more surprises up his sleeve for me and everyone else in the future. Especially with the Salty Advice he's been giving lately.

"Abbey Road" was a highly, highly requested comic. I'm happy to take fan input when writing a joke, and this was no exception.

Again, it was inspired by the strip "Buncha Stooges."  Matching the colours and everything was a lot of fun. While the imagery might be a little crass, or thematically fitting in line with the King St. Capers, the colour-matching was a big success.

As well, the man in the background in the original cover art, who is represented by Mr. Minestrone, was named Paul Cole, who died in 2008, who said some surprising things that fall in line with the artwork, to my astonishment.

He says about the Abbey Road cover:
"I just happened to look up, and I saw those guys walking across the street like a line of ducks," Cole remembered. "A bunch of kooks, I called them, because they were rather radical-looking at that time. You didn't walk around in London barefoot."

It's all a coincidence that the ducks and "Buncha Stooges" resembles Cole's thoughts so precisely.

Of all of these strips, my personal favourite was "You Could Use a Hat," which I saved for last. I would usually put my favourite joke at the front of the schedule, but ... this ties into a series of other jokes, whereas the others in this slate of jokes were more "stand alone."

This specially means, you'll be seeing more of the Surveyor and his hat enterprise in the near future, and how Beardo and Mr. Minestrone may react to his hat enterprise.

This was obviously inspired from personal experience: I left his barbershop and immediately wished I had a hat. I'd bet I would have paid a pretty penny for a hat right then and there.

Thanks for reading, and if you're so inclined, follow along on Twitter of Facebook.

I Plagiarized a Joke From My Cat

I plagiarized a joke from my cat - - just another insight into the makings of some of these stupid jokes. I'll tell you more about the cat's joke in a sec.

First, here are a few more behind-the-scenes glimpses into the making of the King St. Capers and other terrible comic series.

Once again, this sneak-peek reveals my hopes to be efficient is drawing four comics on a single page, which keeps the images small, the resources small (fewer sheets of paper to sort) and the images small when I go to add colour in the final steps.

Plus, it saves on scanning multiple images, too. It's one sheet of paper, slipped into the scanner, and presto. Sort of.

Great Idea, Quarterly Review, Cat Sniffs, and Failed Bumper Sticker.

So, here you see the hilarious Caper that I've not released yet. There's no caption on the image, so you'll just have to wonder what on earth might be being said in that panel. Also, an illegible note for ANOTHER Caper idea is just sitting there on the page, but you can't read it!

So TWO Capers are potentially being spoiled early, but I trust they'll still be a bit of a surprise when they're finally released. Stay tuned.

Also on the page are three other comics which have all been posted now. I'm most excited to introduce "Business Man @ Home," which is a new series that's serving as catharsis in my continued observation of how a one-year-old is lacking any professionalism whatsoever.

I took a little time to do some product development, and drafted up a fun banner to include on each strip, and I hope people will enjoy it. I think there's plenty of material to continue the series for a while, plus they're quick and easy to execute, which is imperative!

Next is Most Interesting Thing in the Room, starring my cat Indy. She's been the artistic template I've used to create this cat. She also basically wrote this joke. Indy has discovered that my armpits quickly become a crack-heroine version of catnip to her, and she wants to rub, snuggle, scratch and claw at them whenever she can. It tickles.

Lastly, was just a dumb bumper-sticker idea I figured would be terrible. That's how my sense of humour/mind works, it flawlessly takes information and then finds the worst possible scenario that would create the most intolerant and awful outcomes ever, because for some reason I think that's funny.

It's never a constructive thought. It's never a positive thought. It's without fail, always the worst thing possible  - - and then I laugh to myself, and people ask me: What? And then I've got to change the subject instead of reveal my awful thoughts.

I figure one of the nastiest practical jokes you could play on someone would be to take a really offensive or dangerous bumper sticker and put it on someone else's car. Who knows how long they'd be driving around getting dirty looks and being identified with whatever dumb thing you've written on their car?

Hilarious, right? That and emptying a hot deep fryer on the hood of someone's car. I imagine that'd be pretty crazy, too.

I hate drawing cars, so I just stuck the sticker onto an existing image of a car. Man I hate drawing cars.

Production Notes | Spring Chickens and King St. Capers

What I'm sure nobody's wondering is: what do the comics look like before you're done with them? Well, to answer the question nobody's asking, HERE's what they look like.

Here's we've got the Silent Pirate fan art, kitty sniff, Call Me Gail and the neighbourhood cat's middle finger.

Here we've got Ignacio, from Silent Pirate; Call Me Gail which was my twist on an expression that's a bit of a pet peeve of mine; the Neighbour's Cat; and Fishy Smell.

All of these come from the time before I learned how to add colour to the strips. You can see that I try and speed things up by drawing a bunch on one sheet of paper, then scanning them all at once, and doing the finishing touches digitally. 

Indoor v. Outdoor cats, microadvertizing, laptop kitty and Fretting over brownouts.

In this image I squished two multi-panel cartoons into one quarter of a page - - this can significantly reduce the detail, and make the images small to work with when adding colour afterwards. A lesson learned. Plus, when deleting the whitespace before adding colour, the smaller the details and images, the more difficult.

Here we've got The Difference Between Indoor and Outdoor Cats; Microadvertizing; Cybercrimes; and Fretting Over Brownouts.

I've had the rough draft of Indoor v. Outdoors cats drawn for literally three years before I got to it. I didn't like how it looked, so had to completely redraw it -- and of course it's for the better. Adding colour has made a significant difference, I think.

The Dahmer gag was another joke that'd been in the back of my mind for years and years - - now that I'm drawing up a bunch of the comics, it was time to finally get it done.

When I'm finished with a page, I'll order them to be published with the what I feel is the strongest cartoon to go first. From the above selections, it went Brownouts, Cybercrimes, Indoor v. Outdoor and then Microadvertizing. How would you have ordered them?

Great work and Cuddling Experience

Here's a quick example of two images where I was still making the shift from heavily shaded images to clean outlines to simplify the colouring process later on down the line. It looks like I've left some notes on the page for me while in the digital editing process, too.

In Great Work, I was really pleased with how the shading in the boss's suit turned out. It gave me hope that this could have some positive returns going forward.

My wife is still haunted by Cuddling Experience, which is unfair, because it was more of a joke than a critique, but also an observation ;)

The Hot Tub Drops on King St.

For the Hot Tub story arc for the King St. Capers, I tried something entirely different than what I'd been doing with other strips. Instead of drawing an entire gag in one cell, I chose to draw strip elements that I could incorporate into a series of gags. In this case, the image of two people observing the hot tub can be used in any instance when these people are observing the hot tub.

In Someone Leave Their Hot Tub, panels one, two and three were used; in Hot Tub in the Middle of the Street, I used panel four and another panel from a second page (there were four used in this story arc); and I reused panel four again in What Could Be Worse Than That?

I have to say, adding colour to the Capers has brought a LOT more life to them, and I'm even more happy with how they're turning out these days. The digital editing is making a lot more interesting stuff possible, as well.

Just one further example is, I've only had to draw the barber pole outside Mr. Minestrone's shop once, and then reused it every time - which is much faster than drawing and colouring a new barber pole every time. Same thing with the pile of butts and the pile of empty liquor bottles.

I'm [Sic] of Hearing You Need "Better Drawing.s"

Here are some behind-the-scenes thoughts from page 85, while we're moving forward here. This package that's being shared around is the same that appeared in the first scene, way back in the early pages. It'll make another appearance in the story, but for now, while it may not be clear here, the package is being handed to James, Jesus' brother, and not to Lazarus yet. Lazarus is being charged with a more serious oath of service, though I'm not sure he quite knows what he's getting into.

The mythology of this story is revealed a little more as Jesus visits Bethany days before he is betrayed by Judas in Lazarus is Charged.

See more by following the links:

• King Street Capers (updated Feb. 11)
• General comics (updated Feb. 12)
• Tomb of the Undead (updated Feb. 5) 
• Dinosuars (updated Feb. 14)
• Sketch Gallery (updated Jan. 17),
• Fundraising Faux-Pas, or the
• Mugabe comic strip (Pinocchio parody)

Webcomic news
I don't really have any "news" for this week, but rather had something of a complaint for webcomics. It's something that's been gnawing at the back of my mind for a little while now, and I think it finally made sense to me just last night.

Mostly, it's the disassociation between a good webcomic and providing highly stylized and well designed art to accompany the regular updates.

What set me off on the epiphany was that Benjamin Pernick, the head sloth at Turbo Sloth, had announced the three-year milestone for his site, which boasts hundreds - perhaps even more than a thousand - pages of absolutely ridiculous jokes.[Ridiculous in the best way - the site if full of "groaners"!]

This is the faucet installers' equivalent of spitting in your burger.

I dropped Ben a line to congratulate him on the milestone, and his response is what really solidified my understanding of what I'm feeling here.

Benjamin Pernick ‏@TheTurboSloth

@RogersRyan22 Thanks! I'm glad I've stuck to it for so long...even if I haven't gotten much better :P

His answer immediately reminded me of some "constructive criticism" that the folks at The Broctopus had received upon launching their site after this comic was posted:

Gregory102714 Good in theory horrible in execution. I think you guys would have more hits if you had better drawing.s

Seriously!? This is what "Gregory" felt after reading this comic, that the strip is "good in theory" but unable to attract attention or traffic without "better drawing.s" [sic].

I can't imagine anything sillier - what these two strips have in common is that they're people who are eager and passionate about sharing their comics. They're doing it for the love of doing it - the side effects of which would only be to brighten the days of readers when they pass through, and the warm feeling that comes from knowing you had something to do with it.

If anything, the silly and nonchalant style is imperative to a good joke. It admits to readers that this isn't to be taken too seriously. I mean, Michelangelo's Sistine Chapel was supposed to be a ceiling-comic, but he got carried away and people "don't get it" now.

Revisionist history and restoration "experts" completely missed the joke. A warning to us all that too much detail distracts us from the gag.

Now, I must admit, I was prescient of this concept before I endeavoured to start making comics about the bad haircuts I'd received at the bad barber's shop. He made me feel stupid by giving me a bad haircut, and drawing dumb comics is my outlet - after joking about it for ages with a co-worker, I thought the joke between us could live on if I immortalized it in a silly strip. To go along with the bad barber was the bum that begged for change outside our office:

I know, the Peterborough, Ont. version of Bert and Ernie, right?

I wanted the comic to look "thrown together" because I didn't want it to be taken too seriously, but I have to admit, I spent a lot of effort making sure the images looked like that. Like, an embarrassingly long time, if you ask me.

And that's the IMPORTANT lesson here. The merit of the comics, that spirit of creating them for the love to bringing a little joy to the lives of others, is what's essential - and cramping up because it's not straight out of the Yale University School of Art is no reason to stop.

As long as you love it, don't ever stop, slow down or feel less of yourself for letting your style and personality grow through your work.

It's ridiculous [in the bad way] to think you have to be great at something before you start, or that becoming a Master in your craft requires that you conform to the style of those who have been the most successful in your field. All of that's nonsense.

Keep it real!